RAILHEAD in Bologna

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A big thank you to everyone who Tweeted, blogged, or shared the RAILHEAD cover on Facebook. I know it seems a bit early to be making all this song and dance about it (the book won't be published till October), but it's important to let booksellers and reviewers know it's coming, as well as giving advance warning to readers. The OUP rights team are at the Children's Book fair in Bologna this week, where they'll working their socks off trying to sell the rights to publishers from other countries. Tom Gates author Liz Pichon spotted the big RAILHEAD banner on the OUP stand at the fair...



Also a banner for Pugs of the Frozen North, my latest project with Sarah McIntyre. (Check out Liz's amazing, hand-drawn Tom Gates dress!)


Sarah has written an interesting piece for her blog about foreign publication deals, and some of the tricks she uses as a picture book illustrator to make the books translatable. It's well worth reading.

I'm still waiting for the results of OUP's Twitter competition to select 'RAILHEAD Ambassadors'. McIntyre clearly thinks she's in with a chance, and has designed a special ambassadoring hat for herself (plus Ferrero Rocher pin).



Hmmm.

RAILHEAD Unveiled!

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Here it is! The cover for my new novel RAILHEAD, created by Holly Fulbrook, Jo Cameron and the design team at OUP.

I'm very pleased with the the way it's turned out. Usually I like a nice picture on a book cover, but RAILHEAD is set on a dozen different planets, and features thieves and androids, exiles and emperors, insects and intelligent trains. That's a lot to sum up in a single image, so I think this approach makes much more sense.

'RAILHEAD' is a word which jumped out of the text at me while I was writing and demanded to be the title, so it's great to finally see it written in large, friendly letters on the cover. After four or five years of work, it's starting to feel like a Real Book.


HOW YOU CAN HELP...


If you have a Twitter account and you'd like to help spread the word about RAILHEAD,  all you need to do is:


1.Tweet an image of the cover and also change your avatar to the cover.
2. Tag your tweet #RAILHEAD
3. Tag @OUPChildrens

Everyone taking part will be in with a chance of becoming a 'Railhead Ambassador,' (!) and winning an invitation to an exclusive London event where I'll be giving the first public reading from the new book.

To download the cover on PC, right click the image and select 'Save Image As'.

On a Mac, hold 'ctrl' and click the image, and select 'Save Image As'.


RAILHEAD will be published in the UK in October 2015. 



YA Book Prize - the Winner (and some personal favourites).

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Congratulations to Louise O'Neill, whose debut novel Only Ever Yours has won the first ever Bookseller YA Book Prize. It was a clear favourite with a majority of my fellow judges. Unfortunately I was in Ireland and couldn't attend the ceremony last week, but I've being a part of this first YA Book Prize.  Only Ever Yours was part of a very strong shortlist, which was (mostly) a pleasure to read.







Here are a few of my favourites...


Say Her Name by James Dawson




I've never liked horror or ghost stories, so you can imagine my delight when I realised I was going to have to read one - I was prepared to be both frightened and bored. But Say Her Name turned out to be a cracking book. The story of a vengeful ghost who is summoned by saying her name three times while looking in a mirror may be a familiar one (possibly not if you're fourteen) but James Dawson uses it as the bass for a highly atmospheric page-turner. The girl's school setting was well-drawn, the mystery was intriguing, and there were frequent scares and cliff-hangers which made it hard to stop reading. Above all, the characters were great; I cared about them, which is probably what makes it work.



A Song For Ella Grey by David Almond



A modern-day reworking of the myth of Orpheus and Eurydice, David Almond's latest is a remarkably beautiful piece of writing, and a remarkably beautiful book, with some bold illustrations by Karen Radford (uncredited on the cover) and a whole section of reversed-out white-on-black pages for the descent into the underworld.  I say it's a 'modern-day reworking', but it's not really concerned with the details of daily life - a mobile phone plays a key part in the story, but the internet doesn't seem to intrude into the lives of these young people; it could be happening in any year since about 1960. The place is very specific, though; Newcastle, and the beaches and sand-dunes of the north-east coast, all drawn in clear, spare prose. It's about love, and death, and art, and being young, and it is masterful.



The Ghosts of Heaven by Marcus Sedgwick





The Ghosts of Heaven is made up of four long-ish short stories.
The first is about
stone-age people
and is told
entirely
in blank verse.
Then there's a tale of a 17th Century witch-hunter in northern England, one set in an American lunatic asylum in the 1920s, and the final story takes place on a spaceship where most of the passengers are in cryogenic suspension a la Cakes in Space - though of course the influences here aren't Reeve and McIntyre but Moon and 2001 (the sole waking crewman is called Kier Bowman).

Linking all four stories is the recurring image of the spiral, seen in everything from snail's shells and the flight of hawks to the whole of the galaxy. You're supposed to be able to read the four stories in any order, but I'm not sure why you would want to - the order they're arranged in has an arc to it which would be lacking if you went backwards. It's all a bit portentous - if the other books on the shortlist were pop songs, this one would be a prog rock concept album with a gatefold sleeve and a ten minute drum solo - but at least it assumes YA readers will be interested in big, strange, philosophical ideas. If I was a Young Adult rather than an Old Adult, this would have been my favourite.

It also has the best cover. (Not the best cover on the shortlist - the best cover ever.)



Salvage by Keren David

This is another book which I wasn't looking forward to reading. Four of the books on the shortlist were written in my least-favourite form, in which the narrative is split between two first-person narrators. Why this should be so popular, I can't imagine: I can't think of a better way to throw the reader out of the story every couple of pages. Admittedly, most of the shortlisted books were well enough written that I eventually overcame my irritation, but when I picked up Salvage and found that it was broken into chunks subtitled Cass and Aidan, I nearly didn't bother reading on.

I'm very glad I did, though, because it's absolutely flippin' brilliant. Cass and Aidan are brother and sister, but have parted company in childhood when Cass is adopted by a Conservative MP and his cosy upper-middle class family, while Aidan is left to struggle through the care system and various disastrous foster placements. By the time the book starts he's living with his older girlfriend in a flat above an architectural salvage shop in London, clinging onto a job by his fingertips. Cass, meanwhile, has her own troubles. Her foster-father, like every other Tory MP in modern UK fiction ever, has been having an affair. When news of this hits the tabloid press it's seen by Aidan, who recognises his sister's photo and contacts her via Facebook. Cass, caught in the crossfire of her foster parents' divorce, agrees to meet him, and the rest of the book details their uneasy attempts to get to know one another again.

The book has great generosity of spirit. There is a villain of sorts - a hard case called Neil, resurfacing out of Aidan's murky past with a bad attitude and a Chehkovian gun - but in almost all the other characters Keren David uncovers some core of decency; they don't always behave well, but they always have their reasons. Aidan is trouble, and quite unpleasant in some ways, but we care about him, and come to understand why he is the way he is. Cass and Aidan's mother has her own story too; even Cass's foster father is doing his best (unlike every other Tory MP in modern UK fiction ever). The he said/she said format is used to advantage here, contrasting Cass's considered, past-tense narrative with Aidan's much rawer, present tense account, which feels as if being spoken rather than written. And it somehow manages to deliver an ending which feels happy and satisfying while leaving almost all the central relationships unresolved. It's a wonderful achievement.

Mountains to Sea 2015

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I used to travel light when I went to festivals, but nowadays I have quite a lot to cram into my suitcase...



But not as much as that Sarah McIntyre crams into hers...




She even carries three changes of gloves/gauntlets!


We were off to Ireland, where we'd been invited to perform the Cakes in Space show at one of our favourite book festivals, Mountains to Sea in Dun Laoghaire. It was in full swing when we arrived last Thursday, with lots of great children's authors already doing their stuff. Here we are being Serious Writers with Shane Hegarty, Derek Landy and Holly Smale (Photo by David O'Callaghan from Irish booksellers Easons.)


It was also a chance to catch up with Mark Wright of Mossy Hare Productions and his partner Kathleen, who drove up from Wicklow to meet us on Thursday night. Mossy Hare were behind the Excalibur documentary which I did my best to help fund and publicise a few years back. It's finished now, but finishing a film is the easy bit - getting it shown/distributed is a whole other story. Mark's still in talks with TV companies about Behind the Sword in the Stone, and working on some new projects too.


Our first event was on Friday morning. It's always nice when we get to do our thing in a proper theatre, and Dun Laoghaire has a great one, the Pavilion. It has proper dressing rooms with lightbulbs round the mirrors and everything...


This next picture makes it look as if we didn't get much of an audience, but this was just the sound check. As you can see, I've gone prematurely blue.


Fifteen minutes later the place was full of local schoolchildren, and I think the show was one of our best.

Photo by Ger Holland

Sarah always shows the audience how to draw Pilbeam, the robot from our book, and I showed them how I'd draw a killer cake. Here's just one of the results. (If you want to try drawing Pilbeam, there are instructions here.)



Afterwards, we walked down the seafront to Sandycove, and the Martello tower in which James Joyce once lived. McIntyre stood on the top to give passing ships a view of her latest fascinator.



Then it was back to work. We were on a panel about writing for children with Young James Bond author Steve Cole and top Irish children's author Judi Curtin, with the Oxford Story Museum's Tom Donegan (left) to keep us in line.


Sarah was trying out her latest hat, which she'd made in her hotel room out of bits of another hat and a sprig of artificial flowers which she bought that afternoon at Meadows & Byrne on the seafront. We were a bit worried that it would blow away or get entangled in chandeliers...



...but all was well, and she looked splendid in her flowery antlers, like the Monarch of the Glen.



We saw Judi again on Saturday morning. She's a good friend of author Sarah Webb, who is also the organiser of the Mountains to Sea children's programme, and they did a great event together about their books and how they came to be writers.


Sarah Webb talked about how she had wanted to be a ballerina when she was a girl, but how she never got any very good roles. Here she is demonstrating the costume she had to wear when she played the part of a brush in Cinderella.


That afternoon we had another Cakes in Space show to perform, for the public rather than schools this time. Since Friday's show had gone so well were pretty relaxed about doing it again. In fact, we were TOO relaxed. As we waited in the wings for Sarah Webb to introduce us, I suddenly realised that I'd left the ALL IMPORTANT SPORK in the dressing room. The ALL IMPORTANT SPORK is the one prop we can't do without; it's introduced early in the proceedings, and then forms the pay-off to a sketch we do towards the end. So no sooner had we got on stage than I had to make my excuses and hurry off again, leaving my co-author to hold the fort. Still, at least I HAD a co-author to hold the fort - you can't do that when you're doing a solo event.


And it turned out that we had a Very Special Guest in the audience - Cakes in Space fan Oscar had come dressed as his favourite character, the Nameless Horror, a scary-looking space blob which turns out to be (SPOILERS!) quite sweet really. Here's Oscar showing off his tentacles, while his mum shows off his Pilbeam drawing.



The rest of the show went well, and afterwards we signed a load of books. Book sales at the festival were handled by Bob and Marta from the brilliant Gutter Bookshop in Dublin and Dalkey, which is one of the finalists for the Bookseller Industry Awards Independent Bookseller of the Year. Here's owner Bob Johnston, in tweedy mood.



Other authors were still arriving. David Almond was there, with his editor Anne McNeil, his agent Catherine Clarke and his very fine hat. (David's most recent book, A Song For Ella Grey, was one of the titles I had to read for the YA Book Prize, and it's superb; I'll try to post a brief review later this week.)


Frank Cottrell-Boyce arrived to talk about his new book Broccoli Boy, and Francesca Simon and Stephen Butler were also there; we didn't get a picture of them at dinner on Saturday night, but here they are on Sunday, doing a rowdy event where Francesca's Horrid Henry and Stephen's Dennis the Menace go head-to-head. Which of the schoolboy sociopaths would the audience declare the winner? (It was kind of a tie in the end!)


Just along the seafront from the Pavilion Theatre is Dun Laoghaire's brand new library, the dlrLexicon, an impressive modern structure which slots in among the older buildings like a book on as shelf. (It also has a lovely water-garden and EXCELLENT CAKE.)


That's where we ended up on Sunday morning, for an event about Sarah's picture book There's a Shark in the Bath. I didn't have anything to do with writing that one, but I did write the lyrics for the Shark in the Bath song (music by John Dougherty) because all books must have theme tunes, oh yes. So I helped out with a bit of reading and some interpretative dance, and enjoyed watching McIntyre keep a room full of three, four and five year olds completely enthralled for a whole hour. They drew some great sharks, too! (You can learn how to draw your own shark here.)



Also in the audience were writer Oisin McGann, his wife Maeve, and his Thoughtful Gorilla T-shirt. (Their children were there too, but I don't think we have a picture of them.)


Afterwards, we nipped downstairs and were able to catch the end of a talk by Chris Judge, creator of the Lonely Beast and illustrator of the very funny Danger is Everywhere.

Photo by Elaina Ryan (I think).
I don't know how Ireland got it's reputation as a place where it always rains - I've been to Mountains to Sea twice now, and each time Dun Laoghaire looked like the French Riviera. We walked in baking sunshine along the pier, making long detours around the queues which snaked from the ice cream vans. (McIntyre managed to avoid falling off the sea wall and becoming a danger to shipping.)



Sarah had to head back to London that afternoon; my flight to Exeter wasn't till next morning, so I was able to enjoy another evening of M2C hospitality, and sit in on one of the adult book talks - a very funny and illuminating interview with drag queen & gay rights activist Rory O'Neill, which was the closing event of this year's festival. I'd had a wonderful few days in Dun Laoghaire, and I hope I'll be back with McIntyre in future years. Huge thanks to the organisers, the volunteers, and the unflappable technical crew at the Pavilion Theatre.



If you're in Ireland, Sarah McIntyre will be doing her Shark In The Bath show at the Towers and Tales Story Festival at Lismore Castle on 18th April.